I got the Softube Console 1 last summer and just got the SSL 4000e with it. I thought it was awesome right out of the gate. But since then, I've wanted to get another emulation, specifically the British Class A, which we all know to be a combination of Neve units loaded together into a single Channel Strip in the Console 1. While this isn't an endorsed emulation, everything I've read and heard about it is that it is a good representation of what the Neve units sound like. Their character and behavior are modeled nicely.
If you have been following my Blog or any my other online presence for any time, you know that I play the drums and specifically that I have E-Drums (or Electronic Drums). I have been playing for many years and have done a ton of recording for other people over those years.
Now I am offering my drumming services to others over the internet.
Dishwalla has been one of goto favorite bands since their first album, Pet Your Friends. In my opinion, this is one of the premier rock bands of the 90s and 2000s. I really liked them a lot with J.R. Richards as the lead singer but haven't really picked up on their stuff since he left.
This song is from the album Opaline from 2002. I don't know that I ever heard it outside of listening to the CD itself, but it really has a great feel, message, and melody, as all Dishwalla songs seem to have. Buy the "album" at Amazon here
I'm not sure I got all of the chords just right, especially in the bridge, but played what I heard and modified a few chord listings I found online for the song.
One FIRST for me on this one is the use of the Softube Console 1. In fact, I didn't use much else on this.
For the Guitar, I mic'd my Ovation 1861 Standard Baladeer for one channel and ran the piezo pickup and a convolution reverb for the other channel.
For the Electric, I used my Epiphone Les Paul Traditional Pro-II in the middle position and used effects from the Pod Farm VST plugin.
On the vocal, I used a Rode NT1 (my only real mic option, also used on the Ovation above).
The drums are the Pearl Mimic Pro played on the first preset kit called "Masters", based around samples of a Pearl Masters kit. I am using primarily Roland pads with a few others mixed in, most notably the ATV 14" hi-hat and a self-made conversion of a DW snare to an e-snare.
For the mix, the only extra effects I used on this whole recording were the phaser on the vocal in the two verse "b" sections using the POD Farm VST and a plate reverb on the snare and the lead vocal provided by an IK Mulitmedia VST.
Everything else on here was the Console 1. I set out originally to do this but as I got through the mix, I didn't really find a reason to add anything else. This made me really happy, as that is the precise reason I bought the Console 1 to start with - goal achieved.
I hope you enjoy this cover recording and hope you will provide a comment or at least a "reaction" to the song below.
I recently purchased my Softube Console 1 on eBay. I couldn't really justify any other way to get this item, but now as I considered how to spend my money, I weighed out all the reasons I'd buy it, regardless of the money part of the equation. Here's what I came up with in terms of some basic recommendations for those out there considering this purchase in no particular order. I've also included a short video after with a verbal "monologue" to accompany this.
As mentioned in my previous post, I bought a Softube Console 1 on eBay. It arrived on Friday. I got it setup on Friday night and played around with it a bit and then made this video last night as a quick introduction to the hardware and software.
One of the time-saving processes that I have learned is very important in the creation of Joomla! sites that are consistent is using a customized install to begin each site that we build. I have created a video walk-through for this process below. Want to save time in creating your custom Joomla! sites for clients? This way will save a ton. I can get to my preferred configuration that already includes my commonly template settings, framework install, and component configurations that I know work in a matter of minutes rather than hours.
Please watch the video on the next page. If you found this useful to your process, please let me know. A Donation to my cause on the right sidebar is very appreciated. I know how many hours this process has saved me and going through it each time will probably save you time, effort, and money as well.
As you look at this site, I hope you notice that I have removed all of the advertisements.
I previously had Google AdSense running on the site as well as some links by Vigilink. In the many years I've been running this site, including the 100s of thousands of YouTube video hits I received since about 2008, I have earned a total of about $100. That's about $10/year over the last 10 years. In the process, I think it has made my site look uglier and has made the content less appealing to the visitors who come here. So I've removed all of the Advertisements!
I have been using Studio One now for about a year and a half. It is a great product with a ton of features and flexibility. One area that I don't particularly care for is the way that track colors are selected and applied. I created a quick walkthrough video on how to enhance the capabilities with a toolbar plugin that was contributed by a forum member called Lawrence. This extension to Studio One greatly enhances the usefulness of the color selections for tracks and the video shows how to install it, why it's useful, and how to use it.
The link to the Forum post can be found (at the time of this writing) here: https://forums.presonus.com/viewtopic.php?f=151&t=34475
This post is about the room I play in. I only ever play by myself and this is completely a non-pro hobby for me. I created a video for this post to show around the room and the equipment I am using. I don't know if anyone really care, to be honest, but wanted to post something and was inspired by some recent posts on forums like "show us your room", a little new video from Rick Beato, and another from Justin over at 65 Drums going over his kit. So I decided a video is worth at least a few extra words, so pulled this together real quick this morning. Hope you enjoy - welcoming your feedback in reactions or comments below the post.
Here's another cover. I LOVE Cheap Trick. This was a quicker tune than I typically do. I usually labor seemingly endlessly over the recording, the parts, the mix, etc, but this one was a lot faster than usual. There are a few others that I have started - The Dream Police and Their cover of The Beatles' Magical Mystery Tour - but I was able to actually get this one finished. I really would like to cover "If You Want My Love" or "Tonight It's You", which I might get to at some point, but this was a bit simpler to get down than the others and probably one of the more energetic tunes I've done, so it was a good bit of fun to record and mix.
This song was recorded with:
I hope that you enjoy it. If you have any comments or just a Reaction, it would surely be appreciated!
Here's the tune - Thanks for all the GREAT music, Cheap Trick!
It has been a little over a year since the announcement that Gibson was sending Sonar to its grave. But it's been exactly a year since I took advantage of the cross-grade pricing from Sonar over to Presonus Studio One and while it hasn't been the most prolific year, I've learned a lot, moved on successfully, and have learned that Studio One IS still my preferred DAW over the (now) Cakewalk by Bandlab offering.
This is a post about the Presonus Faderport 8 and how to use it in Cakewalk by Bandlab. There is a video below that you can watch where I go through at least some of the basics of the use of the hardware in the software. There are a LOT more features, but this is as far as I have documented in Cakewalk. In Presonus Studio One, the unit definitely goes deeper and is more intetgrated.
I did a conversion of my old DW 13" x 5.5": maple snare. The thing had been sitting in the basement on a shelf for a decade. So when my wife asked me what I wanted for Christmas this year, I said "a snare drum edrum conversion kit". I had already looked at the UFO Drums. I put together a quick video that shows the drum and explains a few things about the process.
After thinking through a number of things, and having gone back to using Cakewalk last night to revisit and old tune/mix, I was asked on the Cakewalk forum why I felt as I do, so I wrote a post that I thought would be worth repeating here. So, here is most of that post, edited only for context in my Blog:
I used Sonar through Platinum including lifetime updates, so I was even up to date until right when Gibson tanked the brand. I understood how to work the application. Even if not a Full-time professional power-user, I definitely knew the ins and outs of getting things recorded and mixed and dealing with the hardware and software, drivers, configurations, system tweaking, etc.
But when I came back yesterday and opened up an old project, it left me wanting. Yes, I changed my audio interface, so there were things to adjust, but even that was painful, even being experienced at the same. I also added the FaderPort 8 device since I left, but I wasn't even trying to use that in CBB.
Here are a few things that are quite simple in Studio One that were a pain for me yesterday:
This post is about Joomla! - a content management system. This is an alternative to the very popular system called WordPress. I prefer Joomla! for a number of reasons, familiarity being one of them.
In a series of video and text lessons I hope to share the information needed to help you understand how you can take your knowledge and apply it to creating custom Joomla! sites yourself.
You will notice that you will see the company name "Technical Resource Solutions" show up in these videos here and again. This is my own company that has been in business since 2003 providing Website design and development services along with IT services for businesses in the North Georgia area.
Certainly, by the time you see this video, some of the screenshots will be out of date, the websites I refernce will have changed, and likely, I will have decided on the use of different tools. For example, I no longer use FileZilla as my FTP client, instead opting for WinSCP since it still allows drag and drop from the UI to folders in Windows Explorer.
This video is an introduction to the tools that we use to build our custom templates for Joomla! using the Joomlart T3 framework.
This is a great song written by PFR, a Christian group that is (unfortunately) no longer. together They had a number of albums that never got the "praise" that they deserved, in my opinion. This group is everything Power Pop that any band would ever want to be. There are so many influences in here that it's hard to name them, but a few obvious ones come to mind, like Queen and Jellyfish, who are two my favorites. But you have to go beyond just who influenced them to really appreciate the music they made in their brief time (relative) on the spectrum. There are so many of their songs that I'd love to cover, but one day, while driving and listening,this one came up and I said "Hmmm...I think I can manage those parts". If only I could write a song like this!
You can still buy their stuff online for sure, so if you haven't had a chance to check them out, you really can't go wrong with any of their collections.
I like "firsts" and this one has a few:
1. It is the first song that I have completed using Studio One.
2. It is the first song that I have completed using my Presonus Studio 18|24 (https://bit.ly/2QG5CSz), which replaced my aging Echo Audio Layla 3G.
3. It is the first song that I have completed using my Pearl Mimic Pro as the drum Module (https://bit.ly/2QMGucJ), recorded using the DB25 output and a few other analog input channels on the Presonus device, recording the drums from there to multiple tracks in Studio One 4.1.1. I love the Mimic!
Most of the mix was done with stock Studio One plugins except for a few plugins for the guitars (Line 6 PodFarm - I simply like it better than anything else I've tried, even if there are others that are "better"). I used the Presonus "Fat Channel" for a bunch of the channels, the built in Chorus and ProVerb for the vocals and a few of the drum parts, and some other stuff sprinkled in here and there.
I used my trusty old Rode NT1 for the vocals, a Variax 500 guitar to do the acoustics, an Epiphone Les Paul for all of the electrics, an old Peavey bass, and a real tambourine, of course.
Here is my rendition of "Anything" off the album "Them" - Best I can tell this is Copyright 1996 Sparrow Records. I hope you enjoy it. Please comment, like, or simply "react" below" so I know what you think!
(And if you want to listen to it or better yet, support PFR by buying their albums - here's Them: https://www.amazon.com/Them-Pfr/dp/B0040ESJNC/ref=sr_1_1?ie=UTF8&qid=1546659480&sr=8-1&keywords=pfr+them)
So along comes Bandlab - to resurrect the software previously known as Sonar.
By now, I'd selected the option of looking at Studio One, even though it didn't "check all of the boxes".
Why? Because. Really - that's the best I can come up with. Yeah, there are a lot of things that I really like about the way that Sonar worked and I was very familiar with it, but after trying out Studio One, I have found it to be VERY responsive to my needs. It doesn't feel like it's going to crash at any moment, which is something that has really plagued Sonar for a while now. I just didn't feel like I could depend on it. As someone who doesn't get a lot of time to "play" in the studio and also someone who does computer troubleshooting for a living who also doesn't really want to do it while trying to get a part down, I really want reactive software that doesn't crash, doesn't feel like it's going to crash, and just behaves "like an appliance" to a certain degree. Studio One does that.
So now what?!?
I am a hobbyist. I don't get nearly enough time to spend on music making. I am a drummer for the most part. The rest of my musical endeavors have been around playing around with other instruments, learning how to use the technology side of the recording process, and having to play the other instruments well enough to be able to do that, which means trying to write some songs, doing my best to cover some songs I like to the point of not being embarrassed to play them for others, and just generally enjoying the process.